REVIEW: “Archie Parish’s Parting Words” at Bridge Street Theatre
by Macey Levin The third and final offering this year at Bridge Street Theatre’s Solofest is Archie Parish’s Parting Words by Ernest Thompson, author of…
REVIEW: “The Seafarer” at Schenectady Civic Players
by Dan Mayer Just on the heels of St. Patrick’s Day, Schenectady Civic Players feature award-winning Irish playwright Conor McPherson with their latest production. The…
REVIEW: “Herkimer! How My Ignorant Immigrant Ancestors Saved America and You Can Too” at Bridge Street Theatre
by Macey Levin What does the battle of Thermopylae in 480 BC have to do with the long forgotten American Revolution’s Battle of Oriskany in…
REVIEW: Will Kempe’s Players Present “Macbeth”
by Jess Hoffman Will Kempe’s Players is a relatively new theater company to the New York Capital District. They specialize in bare-bones, low-tech Shakespeare and…
REVIEW: “Archduke” at Capital Repertory Theatre
by Jess Hoffman Historical dark comedies would seem to be a niche genre combination, but Archduke at Capital Repertory Theatre is not the first one…
REVIEW: “Dear Jack, Dear Louise” at The Majestic Theater
by Jeannie Marlin Woods This charming “two-hander” playing at the Majestic Theater is a perfect little love letter that should not be missed. Based on…
REVIEW: “Palatable Gay Robot” at Bridge Street Theatre
by Jess Hoffman As a general rule, I dislike one-actor plays. Watching one performer speak to the audience for the length of an entire show…
REVIEW: “The Lion in Winter” at Confetti Stage
by Jess Hoffman I feel I must start this review by making it clear how much I love all things medieval. I attend renaissance festivals…