REVIEW: “Sweeney Todd” at Hartford Stage
by Emily Edelman “Sweeney Todd: The Demon Barber of Fleet Street,” currently being performed at Hartford Stage, is a joint venture between Hartford Stage and nearby TheaterWorks…
REVIEW: “The American Five” at the Berkshire Theatre Group
by Barbara Waldinger Playwright Chess Jakobs, proud of his black, Jewish and queer background, loves history. Accordingly, his debut play, The American Five, now being…
REVIEW: “The Zionists” at Barrington Stage Company
by Paula Kaplan-Reiss “The Zionists was born from a place of deep, personal pain. It was my way of trying to make sense of everything…
REVIEW: “Deceived” at the Dorset Theatre Festival
by Jeannie Marlin Woods The venerable Dorset Theatre Festival has opened its new season with a spectacular old-fashioned thriller titled DECEIVED. This evening of theatre…
REVIEW: “Swingtime Canteen” at the Sharon Playhouse
by Macey Levin The Sharon Playhouse in Sharon, Connecticut, opens the 2026 Season with Swingtime Canteen,” a multi-leveled show that has elements of nostalgia tinged…
REVIEW: “JOB” at the Adirondack Theatre Festival
by Patrick White Stage thrillers are meant to be escapist fare, where you get your nerves jangled by some nefarious plotting involving missing jewels or…
REVIEW: “Ladies Day” at Harbinger Theatre
by Jess Hoffman I’ll admit that I was in a foul mood when I went to see Harbinger Theatre’s production of Ladies Day at the…
REVIEW: “The Minutes” at The Two of Us Productions
by Dan Mayer As America becomes more politically divided, it’s a great time for art to explore our national identity, our values, and the flawed…