REVIEW: “Cosí” at the Glimmerglass Festival
by Patrick White Are you ready to par-tay? Glimmerglass Festival is throwing a bash, a monster mash with their new production of Cosí whose abbreviated title is…
REVIEW: “Circus and The Bard: A Tempest Tossed” at Shakespeare & Company
by Emily Edelman Shakespeare & Company’s Circus & the Bard: A Tempest Tossed” is a collaboration with Sarasota, Florida-based Spirit of the Circus and juxtaposes…
REVIEW: “A Chorus Line” at Barrington Stage Company
by Macey Levin A number of Broaway musicals have been writen about Broadway musicals… 42nd Street, Gypsy, Kiss Me, Kate and many others The most…
REVIEW: “Once a Blue Moon (Cada Luna Azul)” at Double Edge Theatre
by Patrick White The auditorium of a theatre rarely changes from play to play once you enter the building. Sure, there are black boxes that…
REVIEW: “Letters from Max” at the Ancram Center for the Arts
by Macey Levin Max Ritvo (Evan Horwitz) walks into a poetry class at Yale University taught by Sarah Ruhl (Andrus Nichols.) Ruhl is, in fact,…
REVIEW: “Deep Blue Sound” at Silverthorne Theater Company
by Patrick White The extraordinary contemporary play about community in America, Deep Blue Sound by Abe Koogler,continues its journey delighting audiences and challenging theater artists with its…
REVIEW: “Mystic Pizza” at Capital Repertory Theatre
by Dan Mayer The film Mystic Pizza didn’t make a huge splash upon its release in 1988, but its popularity grew along with America’s enduring…
REVIEW: “The Understudy” at the Dorset Theatre Festival
by Gail M. Burns “When we did [The Understudy] in New York, I think I went to see it…three times a week because I found…