REVIEW: “Come From Away” at the Adirondack Theatre Festival
by Patrick White Come From Away, the miraculous Tony and Olivier Award winner about the life saving need for generous hospitality has touched down at…
REVIEW: “Amchitka” at the Chester Theatre Company
by Emily Edelman In Mark St. Germain’s “Amchitka,” presented by Chester Theatre Company, three scientists at an environmental monitoring station on a remote island in Alaska…
REVIEW: “Madame Butterfly” at the Glimmerglass Festival
by Patrick White Madame Butterfly, one of the most produced operas ever since its debut in 1907, takes pride of place on Glimmerglass Festival’s calendar…
REVIEW: “Footloose” at Playhouse Stage Company
by Sierra Pasquale There is something wonderfully timeless about Footloose. On paper, it is an unabashedly 1980s story: a Chicago teenager moves to a small…
REVIEW: “iBoss” at Great Barrington Public Theater
by Barbara Waldinger If we question whether plays really are blueprints for an eventual production that will bring them to life through the collaboration of…
REVIEW: “Lovesong” at the Berkshire Theatre Group
by Barbara Waldinger Picture a time and space where memories are not just emotional but are also physical embodiments of the past. And then add…
REVIEW: “The Tyrant Play” at Living Room Theatre
by Patrick White Living Room Theatre is working with primary colors with their new production The Tyrant Play subtitled A Serious Comedy written and directed by company…
REVIEW: “42nd Street” at the Sharon Playhouse
by Macey Levin “42nd Street” is the time honored mythic tale about a lowly chorus girl, Peggy Sawyer, who through chance makes her own starring…