REVIEW: “Letters from Max” at the Ancram Center for the Arts
by Macey Levin Max Ritvo (Evan Horwitz) walks into a poetry class at Yale University taught by Sarah Ruhl (Andrus Nichols.)Â Ruhl is, in fact,…
REVIEW: “Deep Blue Sound” at Silverthorne Theater Company
by Patrick White The extraordinary contemporary play about community in America, Deep Blue Sound by Abe Koogler,continues its journey delighting audiences and challenging theater artists with its…
REVIEW: “Mystic Pizza” at Capital Repertory Theatre
by Dan Mayer The film Mystic Pizza didn’t make a huge splash upon its release in 1988, but its popularity grew along with America’s enduring…
REVIEW: “The Understudy” at the Dorset Theatre Festival
by Gail M. Burns “When we did [The Understudy] in New York, I think I went to see it…three times a week because I found…
REVIEW: “Twelfth Night” at Shakespeare & Company
by Patrick White Twelfth Night, William Shakespeare’s merry romp of grief transformed, reversed course Tuesday night before it ever started. Shakespeare & Company’s summer comedy…
REVIEW: “Rebel Town” Presented by Rebel Town Productions LLC
by Emily Edelman “Rebel Town” is a new musical set against the backdrop of pre-Revolutionary War Boston and centers around carpenter William Grey, who is involved…
REVIEW: “Estate Sale” at Barrington Stage Company
by Barbara Waldinger You know this is going to be an unusual production when, instead of entering the auditorium of the St. Germain Stage to…
REVIEW: “Fannie: The Music and Life of Fannie Lou Hamer” at the Chester Theatre Company
by Jeannie Marlin Woods “Nobody is free until everybody is free.” So declared Black activist Fannie Lou Hamer, a sharecropper’s daughter with a 6th grade…