REVIEW: “The Tyrant Play” at Living Room Theatre
by Patrick White Living Room Theatre is working with primary colors with their new production The Tyrant Play subtitled A Serious Comedy written and directed by company…
REVIEW: “42nd Street” at the Sharon Playhouse
by Macey Levin “42nd Street” is the time honored mythic tale about a lowly chorus girl, Peggy Sawyer, who through chance makes her own starring…
REVIEW: “Newsies” at the Mac-Haydn Theatre
by Sierra Pasquale Every millennial theatre kid seems to have a Disney movie that became part of their personality. For me, it was Newsies. Long…
REVIEW(?): Gail Attends a “Weird Al” Concert
by Gail M. Burns “A man walks across this empty space whilst someone else is watching him, and this is all that is needed for…
REVIEW: “Cosí” at the Glimmerglass Festival
by Patrick White Are you ready to par-tay? Glimmerglass Festival is throwing a bash, a monster mash with their new production of Cosí whose abbreviated title is…
REVIEW: “Circus and The Bard: A Tempest Tossed” at Shakespeare & Company
by Emily Edelman Shakespeare & Company’s Circus & the Bard: A Tempest Tossed” is a collaboration with Sarasota, Florida-based Spirit of the Circus and juxtaposes…
REVIEW: “A Chorus Line” at Barrington Stage Company
by Macey Levin A number of Broaway musicals have been writen about Broadway musicals… 42nd Street, Gypsy, Kiss Me, Kate and many others The most…
REVIEW: “Once a Blue Moon (Cada Luna Azul)” at Double Edge Theatre
by Patrick White The auditorium of a theatre rarely changes from play to play once you enter the building. Sure, there are black boxes that…