REVIEW: “Blues for an Alabama Sky” at Barrington Stage
by Macey Levin It is 1930 and the Harlem Renaissance, as well as the Depression, is in full bloom. The community is struggling to find…
REVIEW: “tiny father” at Barrington Stage Company
by Roseann Cane We first see Daniel (Andy Lucien), a 30-something event planner for a major bookstore chain, as he bursts into the NICU (Neonatal…
REVIEW: “The Happiest Man on Earth” at Barrington Stage
by Roseann Cane The Barrington Stage Company has opened their season with a play that’s a mesmerizing punch in the gut. I urge you to…
REVIEW: “All of Me” at Barrington Stage
by Roseann Cane With its world premiere production of All of Me, written by Laura Winters, Barrington Stage Company presents a romantic boy-meets-girl coming-of-age story…
REVIEW: “Measure for Measure” at Shakespeare & Company
by Barbara Waldinger Shakespeare’s Measure for Measure, now being staged at Shakespeare & Company’s Tina Packer Playhouse, is known as a “problem play.” Neither tragedy…
REVIEW: “Waiting for Godot” at Barrington Stage
by Macey Levin One of the first plays of the Theatre of the Absurd was Jean Genet’s “The Maids” in 1947 which was followed by…
REVIEW: “A Little Night Music” at Barrington Stage
by Roseann Cane To see a well-produced Stephen Sondheim musical is a delight. To see a magnificently crafted Sondheim musical is sublime, especially if that…
REVIEW: “The Approach” at Shakespeare & Company
by Roseann Cane “Mark O’Rowe’s play, The Approach, is a riddle….The story is told by what is not being said.” –from the Directors’ Notes by…