REVIEW: “A Little Night Music” at Barrington Stage
by Roseann Cane To see a well-produced Stephen Sondheim musical is a delight. To see a magnificently crafted Sondheim musical is sublime, especially if that…
REVIEW: “The Approach” at Shakespeare & Company
by Roseann Cane “Mark O’Rowe’s play, The Approach, is a riddle….The story is told by what is not being said.” –from the Directors’ Notes by…
REVIEW:”The Chairs” at Shakespeare & Company
by Macey Levin An isolated lighthouse sets the scene for Eugene Ionesco’s The Chairs at Shakespeare & Company’s Tina Packer Playhouse in Lenox, Massachusetts. James…
REVIEW: “hang” at Shakespeare & Company
by Barbara Waldinger debbie tucker green has been described as “one of the most stylistically innovative and politically engaged playwrights at work in Britain today.”*…
REVIEWS: “Boca” at Barrington Stage Company
by Macey Levin The city of Boca Raton, Florida, conjures up an image of high-end country clubs and safe gated communities. A new play, Boca…
REVIEW: “Fall Springs” at Barrington Stage
by Barbara Waldinger A musical about fracking? Is it doomed to share the fate suffered by entertainments on such unlikely subjects as Anne Frank…
REVIEW: Topdog/Underdog” at Shakespeare & Company
by Roseann Cane I lived in Manhattan for many years, and, particularly downtown and in other neighborhoods heavily populated with tourists, fast-talking young men…
REVIEW: “Gertrude and Claudius” at Barrington Stage Company
by Barbara Waldinger Gertrude and Claudius, Barrington Stage Company’s newest offering by Mark St. Germain, based on John Updike’s 2000 novel by the same name,…