REVIEW: “Constellations” at Living Room Theatre

by Emily Edelman Nick Payne’s “Constellations,” currently being staged by Living Room Theatre in North Bennington, Vermont, was written to be played by two actors working through the relationship of physicist Marianne and beekeeper Roland. LRT utilizes six actors (three for each part), which might be confusing in any other…

REVIEW: “Scarecrow” at the Dorset Theatre Festival

by Emily Edelman Heidi Armbruster’s semi-autobiographical one-woman show “Scarecrow” opens with two well-meaning friends offering awkward advice to the main character on how to make funeral arrangements for her father, who is in the hospital dying of cancer. Based on the author’s own experience of living with her father for…

REVIEW: “Fun Home” at the Ghent Playhouse

by Emily Edelman The musical “Fun Home,” now on stage at the Ghent Playhouse, is based on the graphic memoir of the same title by cartoonist Alison Bechdel and describes her youth growing up in a funeral home; coming out as a lesbian at college; and grappling as an adult…

REVIEW: “The World Goes Round” at the Mac-Haydn Theatre

by Emily Edelman Currently playing at the Mac-Haydn Theatre in Chatham, New York, is the musical revue “The World Goes ‘Round: The Songs of Kander and Ebb.” More than just a greatest-hits collection, this revue showcases the obvious (a la songs from “Cabaret,” “Chicago” and “New York, New York”) while…

REVIEW: “Beehive: the ’60s Musical” at the Mac-Haydn

The Mac-Haydn Theatre in Chatham, New York, is extending its season through the beginning of October with a number of musical revues and limited performances. “Beehive: The ‘60s Musical” celebrates the female voices of the 1960s while also touching on the powerful changes in America during the era. A notable…

REVIEW: “You’re a Good Man, Charlie Brown (Revised)” at the Theater Barn

by Emily Edelman The Theater Barn’s current production of “You’re a Good Man, Charlie Brown (Revised)” — “Revised” refers to the fact that this is the 1999 revival version that includes additional songs — brings to life Charles Schulz’s classic characters with the help of a solid, youthful cast and…

REVIEW: “Queen of the Night” at the Dorset Theatre Festival

by Emily Edelman Dorset Theatre Festival’s final live offering in its 2021 season is “Queen of the Night” by travis tate, in which a father (Danny Johnson) and son (Leland Fowler) explore family relationships, queerness and masculinity while on a camping trip in southeast Texas. Dorset’s specially built outdoor stage…

REVIEW: “Night and Day” at The Theater Barn

by Emily Edelman The Theater Barn’s first musical of its 2021 season, “Night and Day: Love Lost and Found Through the Eyes of Cole Porter,” was a regional premiere as well as a lovely thing to watch and listen to. It’s not really accurate to call the show a musical…

%d