REVIEW: “Amor & Psyche” at Living Room Theatre
by Emily Edelman Living Room Theatre’s “Amor & Psyche: A Mythological Comedy” is taken from the classical story included in the second-century work “Metamorphosis” by…
REVIEW: “Survival of the Unfit” at Great Barrington Public Theater
by Emily Edelman The North American premiere of Oren Safdie’s “Survival of the Unfit” from Great Barrington Public Theater showcases the story of 39-year-old Samuel, who brings…
REVIEW: Mel Brooks’ “Young Frankenstein” at the Berkshire Theatre Group
by Emily Edelman Berkshire Theatre Group’s “Mel Brooks’ Young Frankenstein,” being staged at the Colonial Theater in Pittsfield, Massachusetts, is as delightfully funny as you’d…
REVIEW: “Constellations” at Living Room Theatre
by Emily Edelman Nick Payne’s “Constellations,” currently being staged by Living Room Theatre in North Bennington, Vermont, was written to be played by two actors…
REVIEW: “Scarecrow” at the Dorset Theatre Festival
by Emily Edelman Heidi Armbruster’s semi-autobiographical one-woman show “Scarecrow” opens with two well-meaning friends offering awkward advice to the main character on how to make…
REVIEW: “Fun Home” at the Ghent Playhouse
by Emily Edelman The musical “Fun Home,” now on stage at the Ghent Playhouse, is based on the graphic memoir of the same title by…
REVIEW: “The World Goes Round” at the Mac-Haydn Theatre
by Emily Edelman Currently playing at the Mac-Haydn Theatre in Chatham, New York, is the musical revue “The World Goes ‘Round: The Songs of Kander…
REVIEW: “Beehive: the ’60s Musical” at the Mac-Haydn
The Mac-Haydn Theatre in Chatham, New York, is extending its season through the beginning of October with a number of musical revues and limited performances.…