REVIEW: “The Understudy” at the Dorset Theatre Festival
by Gail M. Burns “When we did [The Understudy] in New York, I think I went to see it…three times a week because I found…
REVIEW: “Sunday in the Park with George” at Hubbard Hall
by Gail M. Burns The Hubbard Hall Theater Company is not timid. This season they are presenting works by María Irene Fornés, Stephen Sondheim and…
REVIEW: “Happy End” presented by The Glimmerglass Festival, Opera Saratoga, The Seagle Festival, and Finger Lakes Opera
by Gail M. Burns In Berlin, Germany, in 1928 The Threepenny Opera was a huge and lucrative hit for Bertolt Brecht, Kurt Weill, and Brecht’s…
PREVIEW: A Conversation with Jay Sefton, Who Brings the Award-Winning “Unreconciled” to The Majestic
By all appearances Jay Sefton, co-author and star of “Unreconciled”, which plays tonight and tomorrow night (June 26 & 27) at the Majestic Theater in…
Our Colleague Mark G. Auerbach Has Passed
by Gail M. Burns It is with deep sadness I write to tell you of the death of our dear friend and colleague, Mark G.…
PREVIEW: Harbinger Theatre Brings “Dig” to SLCA
by Gail M. Burns “Theresa Rebeck is a fierce defender of the right to bear witness, an organizer, a galvanizer always willing to take big…
REVIEW: “Forever Plaid” at the Mac-Haydn Theatre
by Gail M. Burns Forever Plaid has been around for 30+ years now and I have seen dozens of productions, starting with one at The…