REVIEW: “Mrs. Christie” at the Dorset Theatre Festival
When I tell people that the most produced playwright writing in the English language, aside from William Shakespeare, is a woman, they get all excited.…
REVIEW: “Lucy’s Wedding” Living Room Theatre
by Gail M. Burns “Elderly” folks like me may remember the late Dudley Moore’s classic skit (if you don’t you can watch it HERE) where…
REVIEW” “DIG” at the Dorset Theatre Festival
by Gail M. Burns We are so blessed with the close and productive relationship between playwright Theresa Rebeck and the Dorset Theatre Festival, where she…
REVIEW: “Witness for the Prosecution” at The Theater Barn
by Gail M. Burns It breaks my heart to have to inform you that The Theater Barn has mounted a ponderous and shabby production of…
REVIEW: “Red” at Oldcastle Theatre Company
by Gail M. Burns “What do you see?” is both the opening line and the penultimate one in John Logan’s play, Red, now on the…
REVIEW: “Men On Boats” presented by The Acting Class with Patrick White at the Sand Lake Center for the Arts
by Gail M. Burns There are no men on stage in the Acting Class with Patrick White’s presentation of Jaclyn Backhaus’ Men On Boats at…
REVIEW: “The Decorator” at The Theater Barn
by Gail M. Burns For the second year in a row the Theater Barn has chosen to end their season with a really lousy play.…
REVIEW: “Proof” at Oldcastle Theatre Company
by Gail M. Burns David Auburn’s Proof burst on the national consciousness nearly twenty years ago – winning Tonys and a Pulitzer and being made…