REVIEW: “Rigoletto” at the Berkshire Opera Festival

by Fred Baumgarten For nearly three hours last Saturday afternoon, you could hear a pin drop inside the Colonial Theatre in Pittsfield at the Berkshire Opera Festival’s presentation of Verdi’s classic tragedy, Rigoletto. That, and the sounds of splendid music, which the audience drank in with rapt attention. So good was…

REVIEW: “Annie” at the Mac-Haydn Theatre

by Lisa Jarisch Surely there is no better cure for melancholy that approaches as the curtain descends on the summer theater season than a healthy dose of rambunctious orphans, a rags to riches story, a guaranteed happy ending…AND a dog.  The Mac-Haydn Theatre fills the prescription to a “T”…or in this…

REVIEW: “Well Intentioned White People” at Barrington Stage

by Barbara Waldinger The title explains it all.  Rachel Lynett has written a powerful and controversial attack against white liberals who think they understand Black people but whose marches and protests against racism accomplish nothing beyond making themselves feel better.  For a white reviewer like myself to evaluate this work…

REVIEW: “Mothers and Sons” at Shakespeare & Company

by Roseann Cane “There is nothing permanent except change.”  –Heraclitus As the lights come up we see two people, a mature woman wrapped in a mink and a handsome man on the outskirts of middle age, peering into the distance. They stand parallel, about a couple of yards apart, in…

REVIEW: “Always…Patsy Cline” at the Sharon Playhouse

by Macey Levin In 1957 Louise Seger of Houston, Texas, had an idol  – Grand Ole Opry star Patsy Cline.  When Cline was going to appear at a club in Houston, Louise and friends fortunately arrived early and a friendship was formed between the working woman and the legendary performer. …

REVIEW: “As You Like It” at Shakespeare & Company

by Jenny Hansell A wooded glade lined with white pine trees in the Berkshires is a perfect stand-in for the Forest of Arden, the setting for As You Like It, the tale of palace intrigue, battling brothers, pastoral comedy and young love now at Shakespeare & Company in Lenox. Duke…

Ghent Playhouse Announces 2018-2019 Season

SEASON 44 AT THE GHENT PLAYHOUSE THE FATHER by Florian Zeller directed by Brian Wagner  Performance Dates: October 5-7, 12-14, 19-21 THE PANTO THE ELVES AND THE SHOEMAKER directed by Cathy Lee-Visscher          Performance Dates: November 23-25, 30-December 2, December 7-9 MIRACLE ON SOUTH DIVISION STREET by Tom Dudzick directed by Cathy Lee-Visscher Performance Dates: February…

REVIEW: “Heisenberg” at Shakespeare & Company

by Roseann Cane In 1927 the German physicist Werner Heisenberg posited what is often referred to as the Heisenberg Uncertainty Principle: it is not possible to measure simultaneously the position and the velocity of an object, even in theory. Playwright Simon Stephens has said that this quantum theory seems to…