REVIEW: “Boston Marriage” at The Theater Barn

by Roseann Cane The term “Boston Marriage” was likely derived from Henry James’s 1886 novel The Bostonians. In the late 19th and early 20th Centuries, the term was used to describe a household where two unmarried women lived together, independent of men. Whether all such relationships were romantic and/or sexual…

REVIEW: Panto 2021 “Rapunzel: Tale of a Quaran-Teen”

by Gail M. Burns The PantoLoons are back! The Ghent Playhouse has reopened its doors post-pandemic with its signature family-friendly laugh-fest, based on the British holiday tradition of the Panto. What is a Panto? Well, it is a British theatrical tradition for the holiday season. Basically you take a familiar…

REVIEW: “Good People” at The Theater Barn

by Jeannie Marlin Woods GOOD PEOPLE is the final production of the 2021 season at The Theater Barn. Founded in 1984 by Joan and Abe Phelps, this summer’s season is being produced by their son, Allen Phelps, the new Producing Artistic Director. This drama is an excellent choice for the…

REVIEW: “You’re a Good Man, Charlie Brown (Revised)” at the Theater Barn

by Emily Edelman The Theater Barn’s current production of “You’re a Good Man, Charlie Brown (Revised)” — “Revised” refers to the fact that this is the 1999 revival version that includes additional songs — brings to life Charles Schulz’s classic characters with the help of a solid, youthful cast and…

REVIEW: “Night and Day” at The Theater Barn

by Emily Edelman The Theater Barn’s first musical of its 2021 season, “Night and Day: Love Lost and Found Through the Eyes of Cole Porter,” was a regional premiere as well as a lovely thing to watch and listen to. It’s not really accurate to call the show a musical…

REVIEW: Agatha Christie’s “The Stranger” at The Theater Barn

by Emily Edelman The Theater Barn’s annual Agatha Christie play is something I always look forward to, and this year’s offering of an early work called “The Stranger” is especially interesting, as it allows one to see the beginnings of plot devices that define Christie’s later style. The play centers…

REVIEW: “Fully Committed” at The Theater Barn

by Emily Edelman The Theater Barn in New Lebanon, New York, continues its 2021 season with the one-person play “Fully Committed” by Becky Mode. Over the course of 90 minutes, struggling actor Sam, played by Ryan Palmer, makes his way through his shift taking reservations for an upscale restaurant as…

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