Ghent Playhouse Presents $2,700 to the Columbia County EMS Education Program

[GHENT, NY] The Ghent Playhouse presented a check for $ 2700 to the Columbia County EMS Education program representative PJ Keeler on February 11th.  The donation resulted from a benefit reading of Edith Wharton’s Roman Fever earlier in January.  Ghent Playhouse Artistic Director Cathy Lee-Visscher, Roman Fever Producer Vivian Wachsberger…

REVIEW: “Black Comedy” at the Ghent Playhouse

by Emily Edelman Peter Shaffer’s farce “Black Comedy,” onstage at the Ghent Playhouse, centers around an aspiring sculptor intent on impressing an art buyer who has arranged a visit to his apartment to view his work. Just before the buyer’s arrival, however, an electrical fuse blows causing a blackout. In this…

Staged Reading of Edith Wharton’s “Roman Fever” at Ghent Playhouse

Join us for a Staged Reading of Edith Wharton’s Roman Fever at Ghent Playhouse Benefits Columbia County EMS/Education Two Performances Only: Friday, January 10 at 4:00 PM & Saturday, January 11 at 2:00 PM For the third consecutive year, the Ghent Playhouse proudly presents a staged reading in support of…

REVIEW: “Lend Me a Tenor” at the Ghent Playhouse

by Emily Edelman February 14-16 performances POSTPONED Though Ghent Playhouse’s presentation of Ken Ludwig’s “Lend Me a Tenor” runs for just two weeks and six performances, it has already sold out several of those performances and it’s easy to see why: Ludwig’s very funny and fast-paced farce gets an uplift from…

REVIEW: “Invitation to a March” at the Ghent Playhouse

by Paula Kaplan-Reiss [Production photos coming soon!] “Why do you sleep? Is it because of me?” asks Schuyler Grogan (Matt Benincasa)  of his betrothed, Norma (Leigh Fisher-Troche), who constantly, narcoleptically nods off three days before their wedding. In Invitation to a March, a play by Arthur Laurents, this question is…

REVIEW: “The Wedding Singer” at the Mac-Haydn Theatre

by Lisa Jarisch As filling as the first slice of wedding cake, and almost twice as sweet, The Wedding Singer literally heads down the aisles of the Mac-Haydn Theatre with all the big hair, big shoulders, and big sounds that made the 1980s as memorable as  the New Coke, Reagan’s jelly…