REVIEW: “Hold These Truths” at Barrington Stage
by Roseann Cane History and artistry have merged on the St. Germain Stage of the Barrington Stage Company in a rare and wonderful way to…
REVIEW: “Camelot” at the Mac-Haydn Theatre
by Roseann Cane There may be no American musical that comes close to the poignant resonance of Lerner and Lowe’s Camelot. A favorite play of…
REVIEW: “The Book of Mormon” at Proctors
by Roseann Cane The Book of Mormon (the musical comedy, that is) opened on Broadway in 2011 after seven years in development. It wowed the…
REVIEW: “Shakespeare in Love” at Capital Rep
by Roseann Cane Maggie Mancinelli-Cahill, Producing Artistic Director of the Capital Repertory Theatre, has long been devoted to making the company currently known as theREP…
REVIEW: “I Am My Own Wife” at Hubbard Hall
by Roseann Cane Born Lothar Berfelde in Berlin-Mahlsdorf, Germany, in 1928, the son of a leader of the Nazi Party, Charlotte von Mahlsdorf recognized early…
REVIEW: “Miss Bennet: Christmas at Pemberley” at Capital Repertory Theatre
by Roseann Cane If “Call me Ishmael” is the most famous opening sentence of an English-language novel, surely “It is a truth universally acknowledged, that…
REVIEW: “Mothers and Sons” at Shakespeare & Company
by Roseann Cane “There is nothing permanent except change.”  –Heraclitus As the lights come up we see two people, a mature woman wrapped in a…
REVIEW: “Heisenberg” at Shakespeare & Company
by Roseann Cane In 1927 the German physicist Werner Heisenberg posited what is often referred to as the Heisenberg Uncertainty Principle: it is not possible…