REVIEW: “Miss Bennet: Christmas at Pemberley” at Capital Repertory Theatre
by Roseann Cane If “Call me Ishmael” is the most famous opening sentence of an English-language novel, surely “It is a truth universally acknowledged, that…
REVIEW: “The Royale” at Capital Repertory Theatre
How do you depict a prize fight onstage without the boxers landing a single blow? In The Royale, playwright Marco Ramirez takes on this challenge,…
REVIEW: “Ring of Fire” at Capital Repertory Theatre
by Roseann Cane There are rare occasions when audience hooting, hollering, and foot-stomping add to the enjoyment of a night of theater, and Ring of Fire:…
REVIEW: “Blithe Spirit” at Capital Repertory Theatre
by Roseann Cane Written as a soul soother for his beloved England, which was recovering from The Blitz and devastated by the continuing casualties of World…
Proctors and Capital Repertory Theatre Announce 2018–2019 Subscription Series
SCHENECTADY, N.Y.—FEB. 12, 2018—It’s here! Monday evening, in a sweeping singalong presentation, Proctors and Capital Repertory Theatre announced the 2018–2019 Key Private Bank Broadway Series at Proctors and the 2018–2019…
REVIEW: “Paris Time” at Capital Repertory Theatre
by Roseann Cane In the Paris Time playbill, Production Dramaturge Teresa Campbell quotes an article from The Washington Post: “France is home to the largest…
Berkshire On Stage Critics Pick Their Favorites of the 2017 Season
The four critics who review for BerkshireOnStage.com – Gail M. Burns, Roseann Cane, Macey Levin, and Barbara Waldinger – have each listed their favorite regional…