REVIEW: “Lempicka” at the Williamstown Theatre Festival
by Macey Levin There was woman, born to a Jewish father and Catholic mother in Warsaw, Poland, in 1898. In Petrograd Russia, she married a…
REVIEW: “Artney Jackson” at the Williamstown Theatre Festival
by Macey Levin Playwright James Anthony Tyler’s work has been performed in several off-Broadway and regional theatres including the Berkshire Playwrights Lab in Great Barrington,…
REVIEW: “The Sound Inside” at the Williamstown Theatre Festival
by Roseann Cane “Fruitful introversion is possible only when there is also a relation to the outside.”  –C.G. Jung The world premiere of The Sound…
REVIEW: “The Closet” at the Williamstown Theatre Festival
by Macey Levin Martin O’Reilly is divorced, his son won’t speak to him, he’s probably going to be fired from a job he doesn’t like…
Berkshire On Stage Critics Pick Their Favorites of the 2017 Season
The four critics who review for BerkshireOnStage.com – Gail M. Burns, Roseann Cane, Macey Levin, and Barbara Waldinger – have each listed their favorite regional…
REVIEW: “Where Storms Are Born” at Williamstown
Weathering Family Storms by Barbara Waldinger The 2017 season underlines Williamstown Theatre Festival’s commitment to new work. Six of the seven plays at the Festival…
Australian play “And No More Shall We Part” debuts at Williamstown Festival
Tom Holloway’s deeply emotional play employs both sensitive direction and superb acting to draw its audience into the question of terminal illness and unassisted suicide.
In Williamstown: 20 years later, “An American Daughter” tackles issues still in the news
When a 20-year-old play still seems fresh today, one has to wonder if out current political scene has regressed as much as it has advanced. Wendy Wasserstein was prescient in her observation of misogynistic politics. Picture: Diane Davis and Saidah Arrika Ekulona. Photograph T. Charles Erickson.