REVIEW: “As You Like It” at Shakespeare & Company
by Jenny Hansell A wooded glade lined with white pine trees in the Berkshires is a perfect stand-in for the Forest of Arden, the setting…
Ghent Playhouse Announces 2018-2019 Season
SEASON 44 AT THE GHENT PLAYHOUSE THE FATHER by Florian Zeller directed by Brian Wagner  Performance Dates: October 5-7, 12-14, 19-21 THE PANTO THE ELVES AND THE…
REVIEW: “Heisenberg” at Shakespeare & Company
by Roseann Cane In 1927 the German physicist Werner Heisenberg posited what is often referred to as the Heisenberg Uncertainty Principle: it is not possible…
REVIEW: “Pride and Prejudice” at the Dorset Theatre Festival
“What defines a great work is that it continues to be generous to people who are making new productions.” – Daniel Fish* Jane Austen is…
REVIEW: “She Loves Me” at The Theater Barn
by Gail M. Burns She Loves Me is the very definition of the word “charming.” It premiered on Broadway in 1963, in the heyday of…
REVIEW: “Dangerous House” at the Williamstown Theatre Festival
by Barbara Waldinger South Africa is the ONLY African country where gay marriage is legal. At the same time, the common South African practice of…
REVIEW: “A Quiet Place” at Tanglewood
by Fred Baumgarten The best way to appreciate Leonard Bernstein’s 1983 opera, A Quiet Place, is through the music. At Tanglewood last week, this infrequently performed…
REVIEW: “The Aliens” at Chester Theatre Company
by Macey Levin After establishing her credentials with Body Awareness, Circle Mirror Transformation and The Aliens, Annie Baker won the 2014 Pulitzer Prize in Drama…