REVIEW: “Buyer and Cellar” at the Ghent Playhouse
by Jeannie Marlin Woods The season opener at the Ghent Playhouse is a charmer. Sam Reilly turns in a totally endearing performance in this solo…
REVIEW: “Still Life” at the Ancram Opera House
by Jeannie Marlin Woods STILL LIFE, by Emily Mann, opened September 30th at the Ancram Opera House. A collaboration with Playhouse Creatures Theatre Company, this…
REVIEW: “The Full Monty” at the Mac-Haydn Theatre
by Jeannie Marlin Woods THE FULL MONTY, which opened August 18th at the Mac-Haydn Theatre ends with a big,show-stopping song and dance number called “Let…
REVIEW: “Guys and Dolls” at the Sharon Playhouse
by Jeannie Marlin Woods There was a tremendous joy and a celebratory air at the July 29 opening of GUYS AND DOLLS at the Sharon…
REVIEW: “Public Speaking 101” at the Great Barrington Public Theater
by Jeannie Marlin Woods They say that the fear of public speaking is, for most people, greater than the fear of death. As such, this…
REVIEW: “Man of God” at the Williamstown Theatre Festival
by Jeannie Marlin Woods MAN OF GOD by Anna Ouyang Moench, currently on the Nikos Stage at the Williamstown Theatre Festival, is an astonishing theatrical…
REVIEW: “Pride@Prejudice” at Chester Theatre Company
by Jeannie Marlin Woods When it comes to staging the classics, you have to be aware that the audience arrives with a set of preconceptions.…
REVIEW: “The Shot” at Great Barrington Public Theater
by Jeannie Marlin Woods Robin Gerber’s play, “The Shot”, is a shocking and visceral new work. Its limited run June 16-19 at the Great Barrington…