REVIEW: “The Chinese Lady” at Barrington Stage
by Macey Levin The first Chinese woman to arrive in America was Afong Moy in 1834; she was 14 years old. Her father sent her…
REVIEW: “Artney Jackson” at the Williamstown Theatre Festival
by Macey Levin Playwright James Anthony Tyler’s work has been performed in several off-Broadway and regional theatres including the Berkshire Playwrights Lab in Great Barrington,…
REVIEW: “Disgraced” at the Chester Theatre Company
by Macey Levin When you go to see Disgraced by Ayad Akhtar at the (which you should,) brace yourself for a compelling story, intense When you…
REVIEW: “Coming Back Like a Song!” at the Berkshire Theatre Group
by Macey Levin There’s a nostalgic diversion receiving its world premiere at Berkshire Theatre Group’s Fitzpatrick Main Stage in Stockbridge, MA. Coming Back Like a…
REVIEW: “The Closet” at the Williamstown Theatre Festival
by Macey Levin Martin O’Reilly is divorced, his son won’t speak to him, he’s probably going to be fired from a job he doesn’t like…
REVIEW: “Cabaret” at the Mac-Haydn Theatre
by Macey Levin Cabaret, first produced in 1966, is set in 1929-1930 as the Nazi Party under the leadership of Adolf Hitler is growing into…
REVIEW: “Anything Goes” at the Sharon Playhouse
by Macey Levin Cole Porter’s music has been part of the American Song Book since 1915 beginning with a little-known show Hands Up. His breakthrough…
REVIEW: “The Tempest” GhostLit Rep at St. James Place
by Macey Levin Several of William Shakespeare’s plays have been made into musicals or operas… namely. The Comedy of Errors became Rodgers and Hart’s The…