REVIEW: “The Skin of Our Teeth” at the Berkshire Theatre Group
by Macey Levin Through history humanity has escaped extinction numerous times but total destruction is still a distinct possibility. There was, of course, the flood…
REVIEW: “The Shaggs: Philosophy of the World” at Bridge Street Theatre
by Macey Levin 1968, in Fremont, New Hampshire, a band was formed by Austin Wiggin’s three daughters – Dot, Betty and Helen. According to…
REVIEW: “Now Circa Then” at the Chester Theatre Company
by Macey Levin The audience at Chester Theatre Company is greeted by Julian and Josephine Glockner as they introduce a re-enactment at a tenement…
REVIEW: “A Human Being, of a Sort” at the Williamstown Theatre Festival
by Macey Levin In 1906 a Congolese Pigmy native, Ota Benga, was brought to New York City, placed in a cage along with monkeys,…
REVIEW: “Peter and the Starcatcher” at GhostLit Rep
by Macey Levin Peter and the Starcatcher, Rick Elice’s prequel to James Barrie’s Peter Pan, seems to be building a cult-like reputation. This raucous…
REVIEW: “The Night Alive” at the Chester Theatre Company
by Macey Levin The Night Alive by Conor McPherson is the story of five Dubliners bumbling through life and often at odds with one…
REVIEW: “The Moors” at Bridge Street Theatre
by Macey Levin Jen Silverman is a very provocative playwright whose plays are set in world wide locations mirroring her own extensive living experiences in…
REVIEW: “The Waverly Gallery” at Shakespeare & Company
by Macey Levin Kenneth Lonergan’s play The Waverly Gallery had its off-Broadway debut in 2000 and was a finalist for a Pulitzer Prize the following year.…