REVIEW: “Morning After Grace” at Shakespeare & Company
by Barbara Waldinger For its first production of the 2018 season, Shakespeare & Company dispenses with kings, queens and wars, instead seeking a perfect marriage…
by Barbara Waldinger For its first production of the 2018 season, Shakespeare & Company dispenses with kings, queens and wars, instead seeking a perfect marriage…
(Lenox, MA) – Shakespeare & Company announces its 2018 season casting. Under the direction of Artistic Director Allyn Burrows the Company’s Summer Season includes a roster of…
(Lenox, MA) – Shakespeare & Company announces its 2018 summer season. Exploring themes of Delight, Deceit, and Desire, the season includes three Shakespeare plays: Macbeth, As You Like It, and Love’s Labor’s Lost; plus the…
Working with only two actors, director Kristen van Ginhoven creates fascinating stage pictures, especially with the creative lighting design by Lily Fossner. Juliana Von Haubrich’s set is fittingly grimy and spare placing the play’s focus on the artist’s easel and paints.
Corinna May and John Woodson revolve slowly before you while their characters talk about life. An interesting, if mundane, play reviewed by Gail Burns.
The Wharton Salon and Pythagoras Theatre Works collaborated to present two delightful one act plays, superbly produced and acted at The Mount.
“In a thousand years man will sigh just the same, ‘Ah, how hard life is,’ and yet just as now he will be afraid of…
Reviewed by Gail M. Burns, July, 2007 Julie Jensen’s 2000 drama Two-Headed is not an easy play. It is not easy to perform and it is not…