REVIEW: “What We May Be” at the Berkshire Theatre Group
by Macey Levin The Berkshire Theatre Group’s world premiere production of Kathleen Clark’s What We May Be has a few problems, the major one…
REVIEW: “Before the Meeting” at the Williamstown Theatre Festival
by Roseann Cane A small gem of a play, now in its world premiere at the Williamstown Theatre Festival, Adam Bock’s Before the Meeting presents…
REVIEW: “The Merry Wives of Windsor” at Shakespeare & Company
by Barbara Waldinger Kevin G. Coleman, the Director of Education and founding member of Shakespeare & Company, and runner-up for the Tony Award for Excellence…
REVIEW: “Ghosts” at the Williamstown Theatre Festival
by Roseann Cane Henrik Ibsen (1828-1906), often referred to as the father of realism in modern theater, created a body of work that unflinchingly examined…
REVIEW: “The Brothers Size” at the Ancram Opera House
by Barbara Waldinger Nestled in the southeast corner of Columbia County is The Ancram Opera House, formerly a grange hall built in 1927. Currently, according…
REVIEW: “Curve of Departure” at Chester Theatre Company
by Macey Levin In a motel room in New Mexico a small group of relatives meet the night before they are to attend a…
REVIEW: “Little Shop of Horrors” at the Mac-Haydn Theatre
by Lisa Jarisch In college I had an English professor who was fond of saying such and such a play, or this, that and the…
REVIEW: “Mrs. Christie” at the Dorset Theatre Festival
When I tell people that the most produced playwright writing in the English language, aside from William Shakespeare, is a woman, they get all excited.…