REVIEW: “Macbeth” at Shakespeare & Company
by Barbara Waldinger Imagine a production of Macbeth without the witches. No “When shall we three meet again?” No “Double, double toil and trouble: Fire,…
REVIEW: “Disgraced” at the Chester Theatre Company
by Macey Levin When you go to see Disgraced by Ayad Akhtar at the (which you should,) brace yourself for a compelling story, intense When you…
REVIEW: “Hair” at the Berkshire Theatre Group
by Roseann Cane I was just shy of 15 when Hair opened off-Broadway and began to cause a stir in 1967, a pivotal time in…
REVIEW: “The Mousetrap” at The Theater Barn
by Gail M. Burns The original London production of The Mousetrap, which opened in 1952, is STILL running; and there are endless amateur stagings every…
REVIEW: “Mamma Mia!” at the Mac-Haydn
by Barbara Waldinger The local go-to venue for big, splashy summer musicals is usually Chatham’s Mac-Haydn Theatre. The tiny stage is characteristically populated with dozens…
REVIEW: “Coming Back Like a Song!” at the Berkshire Theatre Group
by Macey Levin There’s a nostalgic diversion receiving its world premiere at Berkshire Theatre Group’s Fitzpatrick Main Stage in Stockbridge, MA. Coming Back Like a…
REVIEW: “The Sound Inside” at the Williamstown Theatre Festival
by Roseann Cane “Fruitful introversion is possible only when there is also a relation to the outside.”  –C.G. Jung The world premiere of The Sound…
REVIEW: “The Closet” at the Williamstown Theatre Festival
by Macey Levin Martin O’Reilly is divorced, his son won’t speak to him, he’s probably going to be fired from a job he doesn’t like…