REVIEW: “You’re a Good Man, Charlie Brown (Revised)” at the Theater Barn
by Emily Edelman The Theater Barn’s current production of “You’re a Good Man, Charlie Brown (Revised)” — “Revised” refers to the fact that this is…
REVIEW: “Man of La Mancha” at the Mac-Haydn Theatre
by Lisa Jarisch I have the softest of spots in my heart for Man of La Mancha, having stage- managed a production that will always…
REVIEW: “Ethel Waters: His Eye is on the Sparrow” at Capital Rep
by Roseann Cane I don’t think it’s possible to watch Jannie Jones on stage without being utterly beguiled. The actress kicked off Capital Repertory Theatre’s…
REVIEW: “Queen of the Night” at the Dorset Theatre Festival
by Emily Edelman Dorset Theatre Festival’s final live offering in its 2021 season is “Queen of the Night” by travis tate, in which a father…
An Interview with Robin Frome, Director of “A Doll’s House” in Cornwall, CT
Gail M. Burns: Why did you choose “A Doll’s House”? What do you think it has to say to actors and audiences today? Robin Frome:…
REVIEW: “Falstaff” at the Berkshire Opera Festival
by Barbara Waldinger Who would have believed that here in the Berkshires we would have our own opera festival showcasing talent from all over the…
REVIEW: “Sister Sorry” at Barrington Stage
by Macey Levin A chilling article in The New Yorker entitled “The Confession” by Alec Wilkinson (see PDF of article at bottom of page) is…
REVIEW: “Tiny Beautiful Things” at the Chester Theatre Company
by Chris Tucci Let this review serve as a much needed trigger warning for those who choose to see Chester Theatre Company’s Tiny Beautiful Things…