“Painting His Wings” at The Berkshire Fringe reviewed – it has everything a play needs
These puppets make for a “touching and very theatrical work,” says Gail Burns in her review.
Three Transgender Couples find love in “Southern Comfort” a touching new musical
Gail Burns reminds us that that what makes this musical unique is not the subject matter, but the way this unusual story is told. Read on.
Review: Tallulah Bankhead is “Looped” at Stageworks/Hudson
More celebrated for her flamboyant personality and uncensored proclamations about her sexual appetite than for her artistry the great Tallulah still makes an impact.
Review: “The Chosen” a work of profound beauty at Barrington Stage Company
Gail Burns finds the “The Chosen” is both beautiful and great theatre. Read her insightful review.
The Berkshire Fringe, Week One: Malhalla, The Other Mozart and Dead Letter Office
Burns and Murray don’t always agree which particular Berkshire Fringe shows are winners, but think it is always worth the trip.
Modern dress and Gospel tunes undermine “Richard II” at Shakespeare & Company
In Shakespeare’s time this story was a political hot potato. Gail Burns reviews.
Review: Trust and deceit meet in “Tryst” at the Chester Theatre Company
Critic Gail Burns agrees that this straight-laced thriller might be described as “Downton Abbey meets Hitchcock”.
Karen Allen directs a brutal, breathtaking “Extremities” at Berkshire Theatre Group’s Unicorn Theatre
Extremities is “breathtakingly difficult to watch, and impossible not to,” says Roseann Cane.