Critic Roseann Cane reports that “this production, beautifully directed by Eric Hill, boasts sterling actors who are not only up to the task, but inspired, fierce, funny, and fully realized.”
In a production as luminous as its cast, the Williamstown Theatre Festival takes a raw new look at O’Neill’s bitterly poetic “A Moon for the Misbegotten.”
Cynthia Nixon makes her WTF debut in Carey Perloff’s Kinship as an obsessive entanglement turns into a battle of words.
In this new play by Daniel Goldfarb, Hecht’s role is filled with spontaneity while Eric Bogosian underplays the literary lion.
Barrington Stage has outdone themselves with this “Kiss Me, Kate”. Our critics sing its praises but found a couple of things to disagree about, too.
Combining elements of theatre and dance, Stockholm is a unique play brought together brilliantly in Hudson, NY.
More celebrated for her flamboyant personality and uncensored proclamations about her sexual appetite than for her artistry the great Tallulah still makes an impact.
Burns and Cain review the rarely seen Love’s Labour’s Lost set in the 1940’s.
