REVIEW: “Slideshow” at Bennington Community Theater

by Emily Edelman Bennington Community Theater’s collection of eight short plays, titled “Slideshow,” depicts the stories several neighboring families and is so named in honor of the slideshows of family vacations that co-director Jennifer Jasper’s parents would project on their living room wall. Curated by Jasper, the plays dive deeply…

REVIEW: “Buyer and Cellar” at the Ghent Playhouse

by Jeannie Marlin Woods The season opener at the Ghent Playhouse is a charmer. Sam Reilly turns in a totally endearing performance in this solo piece. BUYER & CELLAR may best be described as a “fantasia.” The actor tells us at the beginning it is fiction, not a real story.…

REVIEW: “Seascape” at the Berkshire Theatre Group

by Barbara Waldinger The stage at Berkshire Theatre Group’s Unicorn has been transformed into a beach where a middle-aged, English-speaking, long-married couple are suddenly confronted by a younger, non-human, English-speaking couple:  two large lizards, who have come up out of the sea.  Given that this play, Seascape, was written by…

REVIEW: “Still Life” at the Ancram Opera House

by Jeannie Marlin Woods STILL LIFE, by Emily Mann, opened September 30th at the Ancram Opera House. A collaboration with Playhouse Creatures Theatre Company, this drama is an emotional and gut-wrenching play. Audience members are advised in advance with this content warning: “Please be advised that the content in this…

REVIEW: “Golden Leaf Ragtime Blues” at Shakespeare & Company

by Macey Levin When the audience meanders in to see Golden Leaf Ragtime Blues by Charles Smith at Shakespeare and Company’s Bernstein Theatre they are entertained by recordings of old comedy sketches including “Who’s on First.”  The stage is surrounded by a red gauze curtain offering a glimpse of a…

REVIEW: “All of Me” at Barrington Stage

by Roseann Cane With its world premiere production of All of Me, written by Laura Winters, Barrington Stage Company presents a romantic boy-meets-girl coming-of-age story unlike any play I’ve ever seen, and, I believe, one that’s long overdue. You see, boy uses wheelchair, girl uses scooter, and both use text-to-speech…

REVIEW: “Xanadu” at the Mac-Haydn Theatre

by Barbara Waldinger Picture a musical consisting of seven of the nine Greek Muses, daughters of Zeus (supposedly the other two are in the band), two of whom are males, whose leader (Clio, the Muse of History) wears roller skates, changes her name, and speaks with a bizarre Australian accent…

REVIEW: “Shelley’s Shadow” at Bridge Street Theatre

by Macey Levin Anyone who has been or is a caretaker for a victim of dementia knows the emotional turmoil it causes.  What seems to start as a simple element of aging grows into a life-changing responsibility.  One’s personal time no longer exists.  Quietude no longer exists.  In some cases…