REVIEW: “Dracula” at the Berkshire Theatre Group

by Macey Levin Bram Stoker wrote his four-hundred-plus page novel Dracula in 1897.  The world’s best-known vampire story has changed considerably on its way to becoming the play that is now in production at Berkshire Theatre Group’s Colonial Theatre in Pittsfield, Massachusetts. Hamilton Deane, a British playwright, was the first…

REVIEW: “To the Moon and Back” at the Chester Theatre Company

by Barbara Waldinger Chester Theatre Company’s mission statement includes two important goals:  offering audiences “fresh perspectives on vital issues” and developing and supporting new work.  Responding to this, along came Fran Henry, founder of a thirty-year-old organization called Stop It Now!, devoted to preventing “the sexual abuse of  children by…

REVIEW: “Hymn” at Shakespeare & Company

by Barbara Waldinger The Shakespeare & Company production of Hymn by Lolita Chakrabarti feels like two actors and a director searching for a plot.  Overstuffed with music, singing, dancing, boxing, changes of costume, set pieces and props (not to mention a ticking metronome) to help fill the 95 minutes, the…

REVIEW: “A Little Night Music” at Barrington Stage

by Roseann Cane To see a well-produced Stephen Sondheim musical is a delight. To see a magnificently crafted Sondheim musical is sublime, especially if that musical is A Little Night Music. In directing her final show as Barrington Stage Company Artistic Director, Julianne Boyd has created a resplendent, mesmerizing event,…

REVIEW: “INVASION!” at the Ancram Opera House

by Macey Levin The intimate Ancram Opera House in Ancram, New York, is producing “Invasion!” by Jonas Hassen Khemiri and translated by Rachel Willson-Broyles, a play that delivers a barrage of themes, witty dialogue, questions and challenges. A talented and vibrant cast of four (Ali Andre Ali, Abuzar Farrukh, Sophie…

REVIEW: “Next to Normal” at the Mac-Haydn Theatre

by Barbara Waldinger Bravo to the Mac-Haydn Theatre for daring to produce Next to Normal as part of their busy summer season schedule!  Imagine a musical about mental health alongside a lineup including A Chorus Line, Urinetown, Kiss Me Kate, The Full Monty, Xanadu and Forever Plaid.  Undaunted, Artistic Director/Director…

REVIEW: “we are continuous” at the Williamstown Theatre Festival

by Roseann Cane “So many plays in the HIV/AIDS theatrical canon are about white gay men and death and dying. I wanted to add something Black and gay and full of hope. we are continuous is my contribution.”  –Harrison David Rivers The phenomenon is all too familiar. We all know…

REVIEW: “Things I Know to be True” at Great Barrington Public Theater

by Barbara Waldinger It is said that “It Takes a Village” to successfully rear a child. The same may be said about what is required to mount a superior theatrical production.  Great Barrington Public Theater’s Things I Know to Be True owes its triumph at the Daniel Arts Center to…