REVIEW: “Shear Madness” at the Sharon Playhouse

by Macey Levin On a recent Thursday evening hundreds of people in Sharon, Connecticut suffered from a similar malady.  Their sides were aching from the non-stop laughter at Sharon Playhouse’s hoot of a show Shear Madness.  There is very little time to catch one’s breath with a host of sterling…

REVIEW: “Measure for Measure” at Shakespeare & Company

by Barbara Waldinger Shakespeare’s Measure for Measure, now being staged at Shakespeare & Company’s Tina Packer Playhouse, is known as a “problem play.”  Neither tragedy nor comedy, it lives somewhere in between, which is probably why it is rarely produced.  But this Lenox company ended up with more problems than…

REVIEW: “Waiting for Godot” at Barrington Stage

by Macey Levin One of the first plays of the Theatre of the Absurd was Jean Genet’s “The Maids” in 1947 which was followed by Eugene Ionesco’s “The Bald Soprano” in 1950.  This is a theatrical form that alludes to the absurdity of existence in a grotesque world by a…

REVIEW: Berkshire Opera Festival’s “Don Giovanni”

by Barbara Waldinger In the age of Harvey Weinstein and Jeffrey Epstein, how is a director embarking on a production of one of the many versions of the Don Juan story to approach the lasciviousness of the main character?   Beginning in the Middle Ages, across multiple genres and cultures…

REVIEW: “Thirst” at the Dorset Theatre Festival

by Barbara Waldinger “Set during Eugene O’Neill’s classic Long Day’s Journey Into Night, failure, denial and passion roil as two Irish servants and an American chauffeur pass the day in the kitchen of the Tyrone family’s residence in 1912.” (Publicity blurb: Dorset Theatre Festival’s production of Thirst by Ronán Noone). …

TheaterWorks Hartford Announces 2022-2023 Season

TheaterWorks Hartford, under the leadership of Producing Artistic Director Rob Ruggiero, is thrilled to announce details for its upcoming 2022–2023 season which is filled with great music, captivating stories, and world-class writing. In fact, all four productions of its 37th season showcase some of the most important voices working in American Theater – all…

REVIEW: “The Full Monty” at the Mac-Haydn Theatre

by Jeannie Marlin Woods THE FULL MONTY, which opened August 18th at the Mac-Haydn Theatre ends with a big,show-stopping song and dance number called “Let It Go.” Warning: this is not the world of Elsaand FROZEN! Instead, we are in down-on-its-luck Buffalo, New York, maybe in the 1980s,where the local…