REVIEW: “Exit Strategy” at Harbinger Theatre
by Jeannie Marlin Woods Community theatre is—almost by definition—a miracle. People devote untold hours of their lives to coming together to create and share their…
REVIEW: Harper Lee’s “To Kill a Mockingbird” at Proctors
by Roseann Cane I am but one of many who consider To Kill a Mockingbird a favorite novel, and the 1962 film adaptation a favorite…
REVIEW: “Andy Warhol in Iran” at Barrington Stage
by Roseann Cane In 1976, Andy Warhol was invited to a White House state dinner in honor of the Shah of Iran. Warhol chatted briefly…
REVIEW: “An Iliad” at Shakespeare & Company
by Macey Levin MaConnia Chesser is delivering a riveting performance in Shakespeare and Company’s one-woman play An Iliad by Lisa Peterson and Denis O’Hare. It…
REVIEW: “Boston Marriage” at The Theater Barn
by Roseann Cane The term “Boston Marriage” was likely derived from Henry James’s 1886 novel The Bostonians. In the late 19th and early 20th Centuries,…
REVIEW: “Fourteen Funerals” at Bridge Street Theatre
by Macey Levin The entire Fitchwoods clan of fourteen people from Blissfield, Indiana, has been wiped out by a massive explosion. An estranged member of…
REVIEW: “Grief: The Musical…A Comedy” at Great Barrington Public Theater
by Jeannie Marlin Woods Grief is nothing to laugh about. Well, unless you are Alison Larkin and have a totally different perspective on that very…
REVIEW: “Last Train to Nibroc” at The Ghent Playhouse
by Jeannie Marlin Woods What is theater but gathering together in a dark room to share stories – stories that remind us what it means…