REVIEW: “Scarecrow” at the Dorset Theatre Festival
by Emily Edelman Heidi Armbruster’s semi-autobiographical one-woman show “Scarecrow” opens with two well-meaning friends offering awkward advice to the main character on how to make…
REVIEW: “A Walk in the Woods” at Shakespeare & Company
by Barbara Waldinger Shakespeare & Company’s production of A Walk in the Woods is a master class in Acting. Jonathan Epstein and Allyn Burrows play…
REVIEW: “Most Happy in Concert” at the Williamstown Theatre Festival
by Roseann Cane Writing this review may prove to be among the most unpleasant tasks I’ve experienced in quite some time. The Most Happy Fella…
REVIEW: “Much Ado About Nothing” at Shakespeare & Company
by Barbara Waldinger Every once in a while a production comes along in which all of its elements coalesce perfectly, creating a whole world in…
REVIEW: “Public Speaking 101” at the Great Barrington Public Theater
by Jeannie Marlin Woods They say that the fear of public speaking is, for most people, greater than the fear of death. As such, this…
REVIEW: “ABCD” at Barrington Stage
by Barbara Waldinger Barrington Stage Company’s ABCD is a slick World Premiere filled with a great deal of action but not much substance. The…
REVIEW: “Man of God” at the Williamstown Theatre Festival
by Jeannie Marlin Woods MAN OF GOD by Anna Ouyang Moench, currently on the Nikos Stage at the Williamstown Theatre Festival, is an astonishing theatrical…
REVIEW: “Urinetown” at the Mac-Haydn Theatre
by Lisa Jarisch Satire? Farce? Social Commentary? Political humor? Ecological & Environmental Propaganda ? Black comedy? Don’t bother trying to slot the Mac-Haydn‘s first-ever production…