Shakespeare & Company’s “Leap Year” sinks at Simon’s Rock
Simon Coe Bigelow’s play about a special needs child sets a noble theatrical goal, but its shallow treatment of an important subject sinks the effort.
Simon Coe Bigelow’s play about a special needs child sets a noble theatrical goal, but its shallow treatment of an important subject sinks the effort.
A treat for the whole family, Young Frankenstein is a hoot with a monster, music and lots of flat-out comedy.
Entering the final week of its run, this remarkable production takes Shakespeare on a joy ride.
Great acting in a sometimes funny, sometimes painful play about life in the Irish countryside.
The verdict? Fun, lots of it. And “about as accessible as Shakespeare gets,” say our intrepid reviewers.
In this photo, gentle persuasion is employed “Because sports have a jaunty, yet competitive edge that can bring out the best (and worst) in all of us,” says the playwright.
NIfty dance numbers and lots of topical humor from the 70’s can’t save this mishmash of a musical.
Is Obehi Janice “Fufu,” or “Oreos,” or both, or neither? And does it matter?