REVIEWS: “Eleanor” at Barrington Stage
by Macey Levin Eleanor Roosevelt is one of America’s most important figures whether male or female. Playwright Mark St. Germain salutes this ingenious and brave…
REVIEWS: “Becoming Othello” at Shakespeare & Company
by Roseann Cane I’ve had the good fortune to see some exceptional theater in my time, plays that are the product of finely tuned writing,…
REVIEW: “A Doll’s House, Part 2” at the Living Room Theatre
by Roseann Cane Henrick Ibsen’s A Doll’s House famously ends with the sound of a slamming door. This caused a great ruckus in 1879. Nora…
REVIEWS: “Chester Bailey” at Barrington Stage Company
by Roseann Cane There are times in the theater when all of the elements required to bring a play to life–the script, the director, the…
REVIEWS: “Who Could Ask for Anything More?” at Barrington Stage
by Roseann Cane What a joy it was to sit under a tent and anticipate a dazzling musical tribute to one of our most treasured…
REVIEW: “The Irish…And How They Got That Way” at Capital Rep
by Roseann Cane As you enter the theater you’re immediately drawn to the warmth of Brian Prather’s meticulously designed Irish pub, right where Capital…
REVIEW: “Fiddler on the Roof” at Proctors
by Roseann Cane Since opening on Broadway in 1964, Fiddler on the Roof has become one of the most frequently produced musicals in theater history.…
REVIEW: “Your Best One” at Capital Repertory Theatre
by Roseann Cane Of the many reasons I have a special fondness for Albany’s Capital Repertory Theatre, one is theRep’s commitment to promoting new plays…