REVIEW: “The Sound Inside” at the Williamstown Theatre Festival
by Roseann Cane “Fruitful introversion is possible only when there is also a relation to the outside.”  –C.G. Jung The world premiere of The Sound…
REVIEW: “Church & State” at Berkshire Theatre Group
by Roseann Cane A screen descends, and on it a political television commercial appears. We hear the voice of Senator Charles Whitmore (Graham Rowat), a…
REVIEW: “The Royal Family of Broadway” at Barrington Stage
by Roseann Cane What do you get when you bring together a thoroughly brilliant cast of singing, dancing actors, a preternaturally gifted director, and a…
REVIEW: “Funny Girl” at the Mac-Haydn
by Roseann Cane A small number of American musicals seem inseparable from the actors who originated the lead roles. For devotees of musical theater, Yul…
REVIEW: “Typhoid Mary” at Barrington Stage
by Roseann Cane Typhoid fever, a life-threatening bacterial illness, is still fairly common throughout the world, with about 5,700 cases developing annually in the U.S.…
REVIEW: “Blithe Spirit” at Capital Repertory Theatre
by Roseann Cane Written as a soul soother for his beloved England, which was recovering from The Blitz and devastated by the continuing casualties of World…
REVIEW: “Paris Time” at Capital Repertory Theatre
by Roseann Cane In the Paris Time playbill, Production Dramaturge Teresa Campbell quotes an article from The Washington Post: “France is home to the largest…
Harold Pinter’s tumultuous “The Homecoming” at Berkshire Theatre Group
Critic Roseann Cane reports that “this production, beautifully directed by Eric Hill, boasts sterling actors who are not only up to the task, but inspired, fierce, funny, and fully realized.”