In a production as luminous as its cast, the Williamstown Theatre Festival takes a raw new look at O’Neill’s bitterly poetic “A Moon for the Misbegotten.”
Cynthia Nixon makes her WTF debut in Carey Perloff’s Kinship as an obsessive entanglement turns into a battle of words.
The 1950’s were a very different time. Our dueling critics, Burns and Cane, explain the pre-tech era in which “Bells Are Ringing” takes place, and Ethan Heard’s staging with Kate Baldwin and Graham Rowat in the leading roles.
In this new play by Daniel Goldfarb, Hecht’s role is filled with spontaneity while Eric Bogosian underplays the literary lion.
Burns and Cane review one of Shakespeare’s epic stories, told simply and with great emphasis on the language and history.
A Stephen Sondheim classic graces the stage of the Colonial Theatre in Pittsfield with luscious music, elegance, and of course, summer love.
Barrington Stage has outdone themselves with this “Kiss Me, Kate”. Our critics sing its praises but found a couple of things to disagree about, too.
Burns and Cane found that this “Private Lives” has great physical comedy, but at the expense of both script and character.
