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Review: “The Chosen” a work of profound beauty at Barrington Stage Company

by July 22, 2013

Gail Burns finds the “The Chosen” is both beautiful and great theatre. Read her insightful review.

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The Berkshire Fringe, Week One: Malhalla, The Other Mozart and Dead Letter Office

by July 22, 2013

Burns and Murray don’t always agree which particular Berkshire Fringe shows are winners, but think it is always worth the trip.

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Modern dress and Gospel tunes undermine “Richard II” at Shakespeare & Company

by July 18, 2013

In Shakespeare’s time this story was a political hot potato. Gail Burns reviews.

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Review: Trust and deceit meet in “Tryst” at the Chester Theatre Company

by July 15, 2013

Critic Gail Burns agrees that this straight-laced thriller might be described as “Downton Abbey meets Hitchcock”.

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Reviewing Oldcastle Theatre’s “Northern Boulevard” – it’s even better the second time around

by July 14, 2013

This new old fashioned musical is back, and even more evocative of a family’s story.

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“Hapgood” Review: Kate Burton stars in Stoppard’s spy thriller in Williamstown

by July 14, 2013

A rarely performed spy thriller by Tom Stoppard sweeps across the Nikos Stage is a flurry of episodic scenes.

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Review: Berkshire Theatre Group tinkers with a classic: “Oklahoma!” at the Colonial

by July 7, 2013

The core of a great musical has to be its heart and soul, not Brechtian nonsense.

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“Animal Crackers” and its Crazy Marx Brothers Antics at Williamstown Theatre Festival

by June 28, 2013

It is a rare treat to see a 1920’s musical, especially one in which you get to see the Marx Brothers in action.

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