Gail Burns says “An Iliad” is vital and gripping as Chester Theatre wraps up its 2013 Season
Reviewing An Iliad, and the battle between rage and compassion in the human soul.
Burns & Cane say “Much Ado About Nothing” is as close to flawless as a night at the theater can be
The verdict? Fun, lots of it. And “about as accessible as Shakespeare gets,” say our intrepid reviewers.
Bennington’s Oldcastle Theatre aces Ken Ludwig’s farce, “The Fox on the Fairway”
In this photo, gentle persuasion is employed “Because sports have a jaunty, yet competitive edge that can bring out the best (and worst) in all of us,” says the playwright.
1978’s “They’re Playing Our Song” at the Theater Barn showing its age
NIfty dance numbers and lots of topical humor from the 70’s can’t save this mishmash of a musical.
Fufu & Oreos needs a stronger center but otherwise a yummy show at the Berkshire Fringe
Is Obehi Janice “Fufu,” or “Oreos,” or both, or neither? And does it matter?
Anything but funny: “on est déshabillé” (A Comedy About Death) at the Berkshire Fringe
This is the sort of performance that gives Fringe theatre a bad name.
“Mother Courage and Her Children” a perfect fit for Olympia Dukakis at Shakespeare & Company
Mother Courage is a perfect fit for Olympia Dukakis, as is Brecht for Shakespeare & Company
Review: Gentle Irony of a NE College Town Captured in “Body Awareness”
Gail Burns found Annie Baker’s Body Awareness worth the drive to the Chester Theatre Company.