Shakespeare & Company’s “Leap Year” sinks at Simon’s Rock
Simon Coe Bigelow’s play about a special needs child sets a noble theatrical goal, but its shallow treatment of an important subject sinks the effort.
Simon Coe Bigelow’s play about a special needs child sets a noble theatrical goal, but its shallow treatment of an important subject sinks the effort.
When you enter Kaufman’s Barber Shop you will step back in time to 1925 when much more than simple haircuts were happening.
A treat for the whole family, Young Frankenstein is a hoot with a monster, music and lots of flat-out comedy.
Great acting in a sometimes funny, sometimes painful play about life in the Irish countryside.
Reviewing An Iliad, and the battle between rage and compassion in the human soul.
The verdict? Fun, lots of it. And “about as accessible as Shakespeare gets,” say our intrepid reviewers.
In this photo, gentle persuasion is employed “Because sports have a jaunty, yet competitive edge that can bring out the best (and worst) in all of us,” says the playwright.
NIfty dance numbers and lots of topical humor from the 70’s can’t save this mishmash of a musical.