REVIEW: “The Tempest” GhostLit Rep at St. James Place
by Macey Levin Several of William Shakespeare’s plays have been made into musicals or operas… namely. The Comedy of Errors became Rodgers and Hart’s The…
REVIEW: “Frankie and Johnny in the Clair de Lune” at Bridge Street Theatre
by Macey Levin Terrence McNally is one of America’s foremost yet underrated playwrights. The Tony Award winning author of Love! Valour! Compassion! and Master Class…
Berkshire On Stage Critics Pick Their Favorites of the 2017 Season
The four critics who review for BerkshireOnStage.com – Gail M. Burns, Roseann Cane, Macey Levin, and Barbara Waldinger – have each listed their favorite regional…
A remarkably relevant “Camping With Henry and Tom” at Barrington Stage
Although about Edison, Ford and President Warren G. Harding, this play could have been written last night with lines from the past week’s newscasts.
Art, faith and forgery at the heart of WAM Theatre’s “Bakelite Masterpiece”
Working with only two actors, director Kristen van Ginhoven creates fascinating stage pictures, especially with the creative lighting design by Lily Fossner. Juliana Von Haubrich’s set is fittingly grimy and spare placing the play’s focus on the artist’s easel and paints.
“Sotto Voce” an ambitious choice for Shakespeare & Company
After a terrific season of beautifully acted provocative plays, Shakespeare & Co. ends their summer season on a different note.
“Tribes” at Barrington Stage: Intriguing, vivid, flawed, honest
Billy never learned to sign: his parents were against it. But into his life comes Sylvia, who is trying to learn as her hearing fades, and everything comes into question.
Australian play “And No More Shall We Part” debuts at Williamstown Festival
Tom Holloway’s deeply emotional play employs both sensitive direction and superb acting to draw its audience into the question of terminal illness and unassisted suicide.