“Hapgood” Review: Kate Burton stars in Stoppard’s spy thriller in Williamstown
A rarely performed spy thriller by Tom Stoppard sweeps across the Nikos Stage is a flurry of episodic scenes.
A rarely performed spy thriller by Tom Stoppard sweeps across the Nikos Stage is a flurry of episodic scenes.
The core of a great musical has to be its heart and soul, not Brechtian nonsense.
When this family disagrees, war can break out to settle matters.
Burns and Cain review the rarely seen Love’s Labour’s Lost set in the 1940’s.
America’s spirit of independence is honored, sort of, in this perceptive play about dead-end jobs.
It is a rare treat to see a 1920’s musical, especially one in which you get to see the Marx Brothers in action.
The much anticipated Arms on Fire lands with more of a thud, than a splash.
“Life Science” Review by Gail Burns, the Berkshire Playwright’s Lab first fully staged production.