Jessica Hecht and Justin Long dazzle in premiere of “Legacy” at Williamstown Theatre Festival
In this new play by Daniel Goldfarb, Hecht’s role is filled with spontaneity while Eric Bogosian underplays the literary lion.
Tina Packer’s “Bare Bard” Julius Caesar hews closely to Shakespeare’s original
Burns and Cane review one of Shakespeare’s epic stories, told simply and with great emphasis on the language and history.
The singers shine in ‘A Little Night Music’ from Berkshire Theatre Group
A Stephen Sondheim classic graces the stage of the Colonial Theatre in Pittsfield with luscious music, elegance, and of course, summer love.
Dueling appraisals of “Kiss Me, Kate” at Barrington Stage Company
Barrington Stage has outdone themselves with this “Kiss Me, Kate”. Our critics sing its praises but found a couple of things to disagree about, too.
Problematic production of “Private Lives” at Shakespeare & Company
Burns and Cane found that this “Private Lives” has great physical comedy, but at the expense of both script and character.
A stunning Stockholm gets its American premiere at Stageworks/Hudson
Combining elements of theatre and dance, Stockholm is a unique play brought together brilliantly in Hudson, NY.
Burns & Cane say “Much Ado About Nothing” is as close to flawless as a night at the theater can be
The verdict? Fun, lots of it. And “about as accessible as Shakespeare gets,” say our intrepid reviewers.
Review: Tallulah Bankhead is “Looped” at Stageworks/Hudson
More celebrated for her flamboyant personality and uncensored proclamations about her sexual appetite than for her artistry the great Tallulah still makes an impact.